I've run all the bands I've been in. A great front man needs that other person. It's not enough to have a guy with a cute face standing behind a microphone. I see it like the classic romantic relationships with men and women, where the woman lets the man think he's running it. It's a classic matriarchal trait, and that's always been part of my personality.

Coming from a working-class background, where my father did manual labor, was a good grounding; I was obsessed with getting a job or getting out of the house at 15.

If people can finally recognize you on radio without being told who it is, thats what you aim for.

Navigating with a partner makes it half as difficult. We keep each other in check. It's not like she [Angie Marr] was ever a quiet little wifey wife behind the scenes. She's exactly like me. She's very smart. We're very lucky that we've always wanted the same things. She loves guitar music, she loves important records, and our lives are about records and shows and great bands.

Joining Modest Mouse was just consistent with what I used to do as a teenager: I followed where I thought I would make some interesting music.

Sometimes people confuse contrivance and authenticity, and sometimes I think authenticity can get in the way of a good excuse to do something theatrical. I just don't like wasting opportunity - if you're going to do a photo session, if you're going to walk on stage, why not make it interesting?

Don't get me wrong, I think "Portlandia" is really funny, and quite brilliant, but I like to be in a city where I can hang out in Powell's Bookstore most nights and go out with my friends in a liberal, relaxed atmosphere. I wish more cities were like that.