You've got to understand that. We all look out for Morrissey. It's a very brotherly feeling. When we first rehearsed, I'd have done anything for him. And as a person Morrissey is really capable of a truly loving relationship. Every day he's so open, so romantic and sensitive to other people's emotions.

I explored rock culture and what the guitar can do though people like Jimmy Page and John McLaughlin, and the music moves away from pop.

I've run all the bands I've been in. A great front man needs that other person. It's not enough to have a guy with a cute face standing behind a microphone. I see it like the classic romantic relationships with men and women, where the woman lets the man think he's running it. It's a classic matriarchal trait, and that's always been part of my personality.

Coming from a working-class background, where my father did manual labor, was a good grounding; I was obsessed with getting a job or getting out of the house at 15.

That enforced time when you have to switch off, that you're on a plane, is so unusual these days. It's just that thing of not being able to interact with other people through e-mails or social media or whatever. It's crazy how you even notice that you're not able to do that. I find that the kind of traveling - long days, particularly if you go somewhere to do a show, and then traveling again the next day - a lot of people would find pretty challenging, but I find it energizing in a weird way.

I don't really care what music's made on - I love guitars, but I'm fine with great electronic music.

I think some musicians can almost forget that the stage is something to do something on, even if that thing is standing still.