I'm not interested in trying to have people who might like other kinds of music follow me. I don't want to please them.

You've got to understand that. We all look out for Morrissey. It's a very brotherly feeling. When we first rehearsed, I'd have done anything for him. And as a person Morrissey is really capable of a truly loving relationship. Every day he's so open, so romantic and sensitive to other people's emotions.

The actual process of travel I really like, because that time on planes and in airports makes me feel like I'm moving around like a ghost. There's a certain aspect of justifiable downtime. I really feel like being online is so pervasive now.

Earlier in my career, fans weren't a big consideration for me.

Anything that's ever gotten on the charts as a result of "American Idol" or "The X Factor" in the UK. It's born out of karaoke culture. It's been a long time coming, but it's absolutely affected radio.

I've run all the bands I've been in. A great front man needs that other person. It's not enough to have a guy with a cute face standing behind a microphone. I see it like the classic romantic relationships with men and women, where the woman lets the man think he's running it. It's a classic matriarchal trait, and that's always been part of my personality.

I really had a great time working with Modest Mouse, just because of the people. I loved writing songs with Isaac Brock, and Jeremiah Green is probably my favorite musician that I've worked with.