I think it helps, as an actor, to never know when you're going to get that next script and you're done.

The goal is just to try to get better and better, and the only way that makes sense to do that is to work with the best people. Surround yourself with the best artists and learn from them, and try to sink your teeth into the best material possible.

You've never seen anything in the Marvel universe that's as grounded, as gritty, as authentic, and as raw as what these guys did last year [in Season 1 of Daredevil]. What an amazing place to bring this character into, to attempt to up the stakes and to make it more dangerous. Hopefully, we were able to do that. But as far as those movies, my concern is this show.

I think it helps, as an actor, to never know when you're going to get that next script and you're done.

I think that, just like the art scene and the music scene is exploding in LA - I mean, let's face it: if you want to be an artist you cannot live in New York anymore because it is too expensive…

I hope that I would put whatever my political beliefs aside, and realize that my country's asked me to to something, and do it.

I think that for a lot of actors - especially American actors - to get line readings and to be told and have your director literally act out the part for you is sort of discouraging in a way. It's a very Eastern European thing to do - a lot of directors that I worked with in Russia did that as well. And, I never took that as an insult, as many actors tend to do. To me, I think it's just offering a certain energy - offering their flavor - and, instead of trying to sort of decode and communicate it to you, they just show you their flavor of what it should be.