Music is admitted under the skin without permission.

I think that to believe is to acknowledge that it's a choice in that present tense and that doubt is always an option. You’re not dealing with a fact like one plus one equals two—I’m gonna choose to believe that. It’s kind of one of those things where you are choosing to believe that someone loves you. That is always going to be your choice. So for me, I think that’s what makes the faith that I have volatile and explosive and dangerous and troubling. That’s what most of my songs are about.

For me, I want to create a environment for the songs to live in. So one song by itself only tells a piece of the story, but in the context of the album, more of the colors are revealed.

I think sometimes we can use spirituality as a vehicle to go closer to the things that frighten us and sometimes we can use it as a shield. I'm guilty of it too. I think spiritual words can do one or the other. Because when I hear people say, in a religion setting, 'Glory,' 'Praise the Lord,' 'Hallelujah,' but it doesn't mean anything, those are actually words that distance us from God, ironically enough.

The shadow proves the sunshine.

For me, the good songs are the ones that come really naturally. There are certain songs that you rework and rewrite and the craft becomes very evident, but a lot of times those aren't my favorite songs. The favorite songs are the ones that I can't even hear my own voice in.

What do we really want to say to the world? Three main themes. The inability to find completion in our modern society, the inability to find completion within ourselves, and the new way to be human in what Christ offers us - His love and His perfect plan of redemption for us.