There’s a time to be silent - to build up a reason to sing again.

For me, when I think about Christ, I think about this iconoclastic man who lived and died for the broken. And the paramount underdog, which is basically turning the world on it’s head. Blessed are the poor and blessed are the hungry, blessed are the broken, all these things that feel very backwards in our fame, power, beauty, riches hungry world. That’s who Christ is to me.

I think that's a challenge as believers - how do you demonstrate the gospel? How do you do that? I mean it's easy to talk about it and say 'Oh this is what we are supposed to be doing' and this is the relevance. But how do you do that with your hands instead of your mouth? How do you do it every day, instead of just onstage, how is it enacted? And I feel like that is one of the ways that we can show what we believe, by how we treat people around the world.

Usually for me, the melodic structures come out in the water and the lyrical ideas could come from a book I'm reading.

Sometimes, the best songs are the ones you write without any pen and paper or audio recording device or guitar in your hands. Because there's nothing between you and the melody; it's just a great lyric.

I think despair and cynicism are two different things. On the flip side of hope is despair. Belief and doubt are the same thing, in that to believe something you have to actively doubt the opposite. And from my perspective, that's the deep end. You're dealing with the unknown; you're dealing with mystery.

It was a beautiful letdown, the day I knew, that all the riches this world had to offer me, will never do.