I learned some classical music history, which I had done quite a bit at of Performing Arts. But I got some more with a great teacher named David Noon, who I've been in contact with quite a bit in recent years.

It's not easy to deal with the negativity in the world but it's something that's got to be done. Your success and life are so important that you must surround yourself with a positive support team.

I got to talk to people like Mel [Lewis] and Milt Hilton and Benny Carter and Clark Terry and... Jay McShann. I just found myself in some circumstances, on some gigs or sometimes in clubs, with the ability to talk to some of these people. Just being around their energy and being around that history was invaluable. And what I normally say to young people that are getting into the music, if you can and go... now there's less of those folks around, sadly.

Earlier that year [1996], Ronnie Scott came to Visiones when I was playing with Maria and he hired me to come and play in his club in London, which I was gratified by. That allowed me to make some more connections.

Barry Harris had a club called Jazz Cultural Theater and there were sessions there on a regular basis. I remember being there and sitting in with [Charles] McPherson and Barry being there, and just smiling at me. He didn't talk to me much at the time, he just came up and gave me a smile, which meant a lot. I've since gotten to know him and been around him a little bit.

I had a lot of bad habits in how I was playing the horn. And I slowly, in high school and college, started to recognize them and get them a little better. But it was not an overnight process, I'll say that.

There are a lot of different ways you can be a part of this music and love it and make a contribution that's personal to you.