There are great jazz educators that I meet all the time. I met a guy named Paul Luchessi who has a high school jazz program in Fresno. And Bob Athayde who runs a junior high program in Lafayette, California. And man, we walked into these schools and Paul Luchessi said, "Jon is the composer of Paradox." A hundred or something kids started to applaud. "What? You guys know that? I'm so blown away.

Things dribbled in in dribs and drabs through my 20s. But it was a struggle.

I wasn't expecting [the Monk competition] would necessarily do that. So I just did what I did and some good things continued to happen and some doors continued to open and that kind of led me into the different associations that I developed in my 30s and some records that I've made on ArtistShare over the last 10 years or so.

I was able to go over [Saxophone Competition] and work a little more in Europe. I'm thankful that those of kinds of things. Simultaneously, some nice things did come in. I got a nice festival that came in, in Virginia through that. There was a club that opened in DC in the famous Willard Hotel near the White House. And the club was called The Nest. I played there a few nights. Some musicians in Philly and D.C. kind of brought me down and got me on a couple things. So things opened up a little bit.

Every person and every team will be tested on their journey. It is part of the curriculum of life. It's just like riding a bicycle. In the beginning you're going to fall off and get knocked down but the important thing is to get back on, stay strong, and after a while once you master it you'll ride with the confidence of a champion.

[We need] someone like Don Sickler, who is an amazing trumpet player and who is also a publisher and amazing producer and composer and arranger. There's a lot of ways you can make a contribution.

You hear about the struggles with substances and all that, but [Phil Wood] was a really a great guy. This was a great man.