I was commuting three to four hours a day, I had jobs for much of it. But I was always involved in going to some ensemble someplace. Taking my lessons at the local Jewish community center on Staten Island.

Barry Harris had a club called Jazz Cultural Theater and there were sessions there on a regular basis. I remember being there and sitting in with [Charles] McPherson and Barry being there, and just smiling at me. He didn't talk to me much at the time, he just came up and gave me a smile, which meant a lot. I've since gotten to know him and been around him a little bit.

I had made a couple of records in Europe. One as a leader, and one as a sideman before that. It was what it was. I started to work with Maria Schneider around that period and some other people, I started to get called to sub at the Vanguard in my mid-20s.

[Eddie Locke] had a huge impact in my life. He was a great jazz drummer. He was mentored by Papa Joe Jones and he played for many years with Coleman Hawkins and Roy Eldridge and actually got me on a gig with Roy Eldridge when I was 20 that I'll never forget.

Every person and every team will be tested on their journey. It is part of the curriculum of life. It's just like riding a bicycle. In the beginning you're going to fall off and get knocked down but the important thing is to get back on, stay strong, and after a while once you master it you'll ride with the confidence of a champion.

A man goes to the village to visit the wise man and he says to the wise man, “I feel like there are two dogs inside me. One dog is this positive, loving, kind, and gentle dog and then I have this angry, mean-spirited, and negative dog and they fight all the time. I don't know which is going to win.” The wise man thinks for a moment and he says, “I know which is going to win. The one you feed the most, so feed the positive dog.

[My mother told me] stories about Nat King Cole, and Miles Davis, and seeing pictures in later years with band leaders like Alvino Ray.