I was in choir [at school].

[We need] someone like Don Sickler, who is an amazing trumpet player and who is also a publisher and amazing producer and composer and arranger. There's a lot of ways you can make a contribution.

The more energy you spend worrying about the people who didn't get on your bus, the less you will have for the people who are on your bus. And if you are worrying about the people who didn't get on your bus you won't have the energy to keep on asking new people to get on.

[Charlie Parker] was kind of a sponge and intrigued by it all.That's similar to what Phil [Woods] told me about Bird, too. Like he was into cooking. He was just into a lot of things. Yeah, it's about dealing with bebop and jazz and Trane [John Coltrain] and post-Trane and knowing the history. But you've got to live. You have to experience things. Know something in this world. So it was a very deep education about what it means to try and be an artist.

I was really falling in love with jazz and dedicating myself in that direction.

Great leaders don't succeed because they are great. They succeed because they bring out the greatness in others.

When I was 13, 14, 15, I had played in a couple of jazz ensembles. I didn't know anything about harmony, about II-V-I, though I had learned my scales with Caesar [DiMauro].