I think that's important to remember - That we're blessed to even be able to attempt to do this [music].

I saw a nice interview with Dave Binney recently. He was saying, "Man it was never easy. It's not like 'Oh wow, the good old days.' What, when certain people couldn't vote?" There was more work for musicians in the '40s, '50s, '60s. But I don't think it was ever easy.

I got to perform the [Jaques] Ibert Concertino Da Camera with a brilliant pianist at school named Chunga. I got to perform the [Alexander] Glazunov Concerto in senior year with our school orchestra and the Jewish Grossman orchestra. I won a scholarship from the Goldman band to perform the [Paul] Creston Concerto. Which I never played with them, but they still gave me the money.

If I could have picked two guys on the planet, to have some exposure to at that age, those were the two right guys [Phil Woods and Charles McPherson].

I had a lot of bad habits in how I was playing the horn. And I slowly, in high school and college, started to recognize them and get them a little better. But it was not an overnight process, I'll say that.

I have worked in the homes of many successful people and have seen firsthand that everyone fails in life, but failure can be a gift if you don't give up and are willing to learn, improve, and grow because of it. You see, failure often serves as a defining moment, a crossroads on the journey of your life. It gives you a test designed to measure your courage, perseverance, commitment, and a dedication. Are you a pretender who gives up after a little adversity or a contender who keeps getting up after getting knocked down?

Connection to the music and the history was very powerful to me. I think that's what I feel the most blessed about.