I saw rock n' roll future and its name is Bruce Springsteen.

There were many stars in Motown's firmament - among them, Stevie, Marvin Gaye, Smokey Robinson, Martha Reeves and Diana Ross - but I happen to have loved the Four Tops most of all.

'Let's Get It On' is a classic Motown single, endlessly repeatable and always enjoyable.

One gets the impression that Elvis Presley does what his business advisors think will be most profitable. My advice to them: Put Elvis Presley in the studio with a bunch of good, contemporary rockers, lock the studio up, and tell him he can't come out until he's done made an album that rocks from beginning to end.

On the surface, rock and roll changes at an amazing pace. The influence of a figure like the Maharishi can appear and disappear in a matter of months. Talk about old fashioned rock and roll finds itself dead before it begins.

'Dance to the Music' was just Sly Stone being his natural crazy self right from the beginning. The man was an original and his first AM hit was nothing if it wasn't the example per excellence of the Sly Stone music machine.

'Band on the Run' is a carefully composed, intricately designed personal statement that will make it impossible for anyone to classify Paul McCartney as a mere stylist again.