We make movies about remarkable people like President Mohamed Nasheed of the Maldives in "The Island President" and Al Gore in the film, who get up every day and are driven in an almost inhuman way to make a change in a problem that they see in the world and shine truth into a very dark arena where bad actors try to lie to the American public to gain profits for fossil fuel companies. To us, that's a natural drama. And that's primarily where we work - character-based films that we hope will bring issues to life through their stories.

There's something almost impossible about the criminal justice system when it comes to sexual assault cases. It immediately sets up a trial, where witnesses may have been drunk or maybe there were no witnesses and maybe there's no evidence.

A real man isn't somebody who takes advantage of a young girl but who treats her with respect.

If a girl gets assaulted, it's not because she was drunk. It's because somebody decided to assault her.

Let's get to a world where we don't litigate the aftermath, because it doesn't happen in the first place.

You can't blame a victim for being under the influence when there is a violent act [happening to them]. These are two separate things.

It seems like we're not learning as a community, as a society.