You want magic to feel real.

I think the greatest danger of the promise of space travel is that it can lead us to be cavalier about the world we live on, if we assume we can find or make more worlds. I think in our lifetimes we surely will not, probably in the lifetimes of our great-great-grand-descendants we will not.

Making the right choices on the worlds we explore is going to be our biggest challenge.

You want magic to feel real.

Once you've written a good script, it will get made or not get made, according to variables you cannot control, like stars getting interested, and the superstitions in Hollywood rising or falling around what is over and done with versus what's in.

Most of my life, I thought that I would end up a novelist. But then, in New York City, after college, I started a company with a college friend where we made documentary video for museums. In that capacity, I shot, directed, edited and began to learn the vocabulary of film.

I would say that working with Ridley Scott makes the process of directing much more terrifying.