I have always had a hard time revising my work as a journalist, which was never much of a problem. You always have editors as backstops. Their job is to perfect your story. Most of them want to be useful.

Liberals in the US don't have great passions about Margaret Thatcher. Conservatives do. For all the worship that Ronald Reagan elicits in conservative circles in the US, I would venture that Thatcher did far more to reshape British society than Reagan did here. When I moved to Britain, the utilities were state-run. By the time I left, most of that was privatized. Thatcher had broken the miners' union, all but crushed the Labour Party, cut back the welfare state, even flirted with a poll tax. In the circles I ran in, Reagan was mocked as a childish dolt. Thatcher was despised.

Novelists may be able to seek advice from readers and editors, but in the end, it is up to them to get the book right.

I was very conscious of race as I was writing. I was lucky to have spent real time in Portuguese Africa, but I am white and my main characters are white, outsiders at sea in the "Dark Continent."

The professions of novelist and journalist are very separate. As a novelist, you are ultimately working for yourself. Yes, you need the approval of a publisher and an audience, but what is valued in fiction writing - style, individual voice, insight - is scorned by the editor who is combing through your newspaper article.

I have always had a hard time revising my work as a journalist, which was never much of a problem. You always have editors as backstops. Their job is to perfect your story. Most of them want to be useful.

Sometimes truth is stranger than fiction, but usually fiction is just better.