When I first met the world, basically, or introduced myself to people, I was in 'Superbad,' and I feel the same way I felt promoting 'Superbad' in an underdog style that I feel promoting 'Moneyball.'

I learn a lot from every director that I work with. I sit on set and watch them, every one.

People who are just in a restaurant that you would never know are international arms dealers is kind of interesting, they're at the table next to you and you have no idea, you never know what everyone's up to.

Once you make a movie like 'Superbad,' when it's popular and you're the lead, you get offered all kinds of things and there's a temptation to make bad movies either for the money or to maintain your relevance in pop culture.

I mostly like documentaries, so I always think things that happened in real life are so astounding that why would you make a movie about something fake.

You have more of a responsibility to make the audience laugh. In comedy, we do have to say, "All right, it's been two minutes in the film. We need another laugh here." With drama, there's no pressure in that regard. It's a different kind of pressure, but it's not like we need to make someone laugh.

I think our culture has gotten so skewed. People assume that because you're an actor you want to write a book to exploit your celebrity, but my celebrity is only a byproduct of me making movies. I have no intention of being a celebrity.