I think morality is so individual and personal, and people draw their own lines of what that means for them.

When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors. For me it's important making that transition seamless, and not a huge shock and jumping into cold water. It doesn't feel like I'm trying to shock you or anything. I'm just saying, "I'm a different actor than you thought I was. Don't put me in a box. I'm not just some kid running around screaming curse words." I have other tastes besides comedy. I love comedy, but I love dramatic movies just as much.

I like playing characters that, you know, a couple could go see the movie and one person could love him and one person could hate him.

When you go out to make something, you want it to be great. You need to put a bubble around that, so no one can get into the force field and change what you're setting out to make. That's all us being producers is doing, is allowing our power to protect the integrity of what you're doing.

I'm very, very attracted to morally ambiguous characters, not just pure bad guys or pure good guys.

When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.

I realized I never played a character that was skilled at anything, or skilled at anything that I couldn't become skilled at.