Fear's greatest weapon is its ability to blind one to anything. In its presence, we forget there are others to consider, things to save besides ourselves.

The first great real intimacy between two people begins when secrets are told.

Death doesn't make you sad- it makes you empty. That's what's so bad about it. All of your charms and beliefs and funny habits fall fast through a big black hole, and suddenly you know they're gone because just as suddenly, there's nothing left at all inside.

The keys that unlock the heart are made of funny materials: a disarming phrase that comes out of the blue, nowhere, a certain sexy walk that sends you reeling, the way someone hums when she is alone. My father said it was the way my mother danced with him.

Very often I'll find out at the end of a book what I put in at the beginning. A sort of process of elimination and discovery in one.

The future is fastidious and punctual. It keeps perfect time and arrives everywhere on the dot. In contrast, its slacker brother the past has no use for clocks or appointments. It comes and goes as it pleases in our memory, camping out wherever the hell it damn well wants to in there. Untrustworthy, prone to exaggeration, biased- you wouldn't lend it ten cents, but it *sure* can be charming and seductive when it feels like it.

If it was as logical as that, I wouldn't continue to feel as bad as I do. I know what you're saying, and you're absolutely right in a way. But logic and rationality only go so far. Then you know what happens? Ha! Then your heart adds its two cents and everything reasonable goes right-out-the-window.