I don't want to make it sound too much like I'm telling people how to read the book A Thousand Pardons, but what Ben Armstead is doing, he's doing more or less on purpose as a very elaborate way of making a sacrifice in his personal life. He needs to start over. This is how he chooses to do it - by blowing up where he is.

Kenneth Branagh. There was a time in my life when people would tell me constantly that I look like him. I could do a lot worse than that.

I hesitate to say yes - I had writer's block, because I know there are people who've had really serious cases of it, and I've never been paralyzed like that, but I definitely get blocked sometimes. More than periods where I don't write anything, I have periods where I just write junk and I know I'm writing junk but I can't stop.

A Thousand Pardons began at the beginning. I wanted it to be one continuous, almost breathless kind of story. In order to do that, it's really hard not to begin at the beginning. There's such a chain of consequence to everything that happens to main characters - it's very hard to break it apart and still be able to hold the plot in your head.

The Postman Always Rings Twice that's a book that I think every writer should read - that has to do with technique. But it's also a novel narrated by a guy who has decided by page 11 that he's fallen in love with a woman, and they're going to murder her husband so they can be together. There's nothing remotely likeable about him, but James M. Cain brings you so far into his head that, at a certain point, you have that uncomfortable but also thrilling sensation of seeing things exactly as he sees it.

I once saw John Updike get in front of a crowd and read a story that he'd written in 1958, and I just thought, I can't even look at stuff I wrote a year ago, I can't believe he's doing this.

I seem to have a talent for writing endings that seem just right to me but that frustrate other people.