A trilogy is a pretty abstract notion. You can apply it to almost any three things.

I only work with actors who take full responsibility for their characters.

I was a sort of rock journalist - whatever that is - in London in the late '60s.

I don't think of Storefront Hitchcock or Stop Making Sense as documentaries, I think of them more as performance films.

Maybe that's where the new art comes in - to somehow have your eye on the marketplace and harness your art to come up with something you can be proud of creatively.

I remember the Neil Young brand hitting me very hard immediately. He wasn't an acquired taste. I loved him immediately.

Every film deserves its own unique look.