There is, after all, a kind of happiness in unhappiness, if it's the right unhappiness.

If you read the biographies of people who have written good books, you often see the point where they suddenly come into themselves, and those weeks in the spring of 1997 were when I came into myself as a writer. They feel like some of the best weeks of writing I’ll ever have. The discovery that I could write better about something as trivial as an ordinary family dinner than I could about the exploding prison population of the United States, and the corporatization of American life, and all the other things I’d been trying to do, was a real revelation.

Even in an intensely mediated world, in a world that offers at least the illusion of radical self-invention and radical freedom of choice, I as a novelist am drawn to the things you can't get away from. Because much of the promise of radical self-invention, of defining yourself through this marvelous freedom of choice, it's just a lie. It's a lie that we all buy into, because it helps the economy run.

You're either reading a book or you're not.

So, what, you got cigarette burns, too?" Gitanes said. Chip showed his palm, "It's nothing." "Self-inflicted. You pathetic American." "Different kind of prison" Chip said.

The most purely autobiographical ­fiction requires pure invention. Nobody ever wrote a more auto­biographical story than "The Meta­morphosis".

[T]o love a specific person, and to identify with his or her struggles and joys as if they were your own, you have to surrender some of your self.