Being dead's only a problem if you know you're dead, which you never do because you're dead!

I was about 13, in some ways, when I wrote the first book. Approximately 18 when I wrote the second.

If you read the biographies of people who have written good books, you often see the point where they suddenly come into themselves, and those weeks in the spring of 1997 were when I came into myself as a writer. They feel like some of the best weeks of writing I’ll ever have. The discovery that I could write better about something as trivial as an ordinary family dinner than I could about the exploding prison population of the United States, and the corporatization of American life, and all the other things I’d been trying to do, was a real revelation.

There's a hazardous sadness to the first sounds of someone else's work in the morning; it's as if stillness experiences pain in being broken.

Then she waited, with parted lips and a saucy challenge in her eyes, to see how her presence -- the drama of being her -- was registering. In the way of such chicks, she seemed convinced of the originality of her provocation.

Without privacy there was no point in being an individual.

Remind me again what's wrong with Dave Matthews?" "Basically everything, except technical proficiency," Walter said. "Right." "But maybe especially the banality of the lyrics. 'Gotta be free, so free, yeah, yeah, yeah. Can't live without my freedom, yeah yeah.' That's pretty much every song.