I’ve always been better at informing the audience through images than through words, but I took on a script that was so dialogue intensive, that the words had to do all the informing.

I've never been happy doing stock work; I've never been happy thinking that I haven't changed something.

I want to change things with everything I do, not for the sake of changing things, but for the sake of taking greater and greater risks, or how minimalist I might be able to be, or how I can involve elements or ingredients in music videos that are not musical, for instance.

You have to understand where the camera needs to me. There were times where you were suddenly aware where the cameras were, then you were in a different place and it didn't feel like the same movie.

I'm not the kind of filmmaker who's going to go from one thing to the next. I often wish I was that filmmaker, but I'm just not.

I’ve always been better at informing the audience through images than through words, but I took on a script that was so dialogue intensive, that the words had to do all the informing.

I don't put on my best clothes to make a film, my Sunday best.