I sort of have the belief that you work being your character out while you're working on it, or that's been my experience so far. I throw myself into it 100% and try to live in that world, and then when it's over, just sort of be able to leave it behind.

We didn't have a glee club at my school. It depends on what area of the States you're from. It's more in the Midwest.

My mother's side of the family is Methodist, which is how I was raised. It was conservative in that I had strong values - sitting down and eating with the family every day, listening to authority and going to church every week and having perfect attendance at Sunday school.

I'm kind of whatever about nudity. Hopefully I wouldn't be a part of anything, whether I'm naked or not, that I didn't believe in. But I'm pretty comfortable being naked.

Just follow your joy. Always. I think that if you do that, life will take you on the course that it's meant to take you.

I definitely prefer the single camera better. For me it's the simple fact that I enjoy working in front of an audience, but when you're trying to create a suspension of disbelief it's much harder to do in front of audience because they become a partner. Moreso than that, they become in charge of the timing. From the simple, mechanical fact that you have to hold for their laughter. The actual timing of the scene is in the hands of the audience. As a control freak, I don't enjoy that as much as the ability to be able to control it in an edit room.

In a play, you can adjust your performance to audience reaction, but in a film it's like you're trapped in a bad dream watching yourself act and you're in the audience