I didn't know what I wanted to do when I was a child. I did want to be a cartographer but that was partly because I liked Ordnance Survey maps and when I used to go to my grandparents' house from Southampton Station one went past the headquarters of the Ordnance Survey.

I like extremely effeminate dogs like terriers or schnauzers. I make an exception for giant schnauzers and big poodles. Basically, I like dogs which can be dyed day-glo colours.

Going on things like rollercoasters is not really up my street I guess. I don't feel like I need to do stunts. I'm too scared and I don't think it's my job.

I wasn't a keen taker of speed because I didn't like the comedown from it.

When I first started writing in my early 20s it was literary criticism for a very eccentric magazine called Books And Bookmen, which allowed me to write, more or less anything.

For the most part, French cities are much better preserved and looked after than British cities, because the bourgeoisie, the people who run the cities, have always lived centrally, which has only recently begun to happen in big cities in England. Traditionally in England, people who had any money would live out in the suburbs. Now, increasingly, people with money live in the cities, but this has changed only in the last 20 or so years.

I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.