I didn't know what I wanted to do when I was a child. I did want to be a cartographer but that was partly because I liked Ordnance Survey maps and when I used to go to my grandparents' house from Southampton Station one went past the headquarters of the Ordnance Survey.

I didn't know what I wanted to do when I was a child. I did want to be a cartographer but that was partly because I liked Ordnance Survey maps and when I used to go to my grandparents' house from Southampton Station one went past the headquarters of the Ordnance Survey.

I genuinely find it difficult to think of places that I'd never want to see again. It might be because part of my career has been concerned with writing about topography.

I don't think things necessarily should have a meaning. If stuff has a meaning then why do [writing] about it? If you're trying to say, 'Tall buildings are great' why not just leave it at that: "Tall buildings are great."

I like irrational things. I like scenarios where I can think, 'It would be great if at this point we could do x.' And there doesn't have to be a reason for 'x'.

If you're going to write about something it becomes a damn sight more interesting than if you're not going to write about it, because you engage with it actively in a way that you wouldn't if you were just passing through or if you were going to St Helens to visit family or if it was a place that made you resentful because you'd always wanted to escape from there.

I wasn't a keen taker of speed because I didn't like the comedown from it.