I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.

I'm not against architecture per se, I'm just against bad architecture.

I wasn't a keen taker of speed because I didn't like the comedown from it.

I'm a very, very unreckless person. I mean, I look left, I look right, I look left, I look right, then I repeat the process and then I decide not to cross the road at the last minute.

I do make myself be interested in places in a way that I don't make myself be interested in people.

I like irrational things. I like scenarios where I can think, 'It would be great if at this point we could do x.' And there doesn't have to be a reason for 'x'.

I think the only remotely interesting drug was acid. I had a slightly peculiar attitude towards it I think. Just about everything about hippydom I hated.