You always have to find something to say about the subject and in seven cases out of ten there is nothing to say.

I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.

I wasn't a keen taker of speed because I didn't like the comedown from it.

I'm a very, very unreckless person. I mean, I look left, I look right, I look left, I look right, then I repeat the process and then I decide not to cross the road at the last minute.

I don't think things necessarily should have a meaning. If stuff has a meaning then why do [writing] about it? If you're trying to say, 'Tall buildings are great' why not just leave it at that: "Tall buildings are great."

There is a tradition of television which isn't dross and stands up. Betjeman's programmes, which were made for 2/6d with one man and a cine camera, were amazing to watch because he was such a great talker.

For the most part, French cities are much better preserved and looked after than British cities, because the bourgeoisie, the people who run the cities, have always lived centrally, which has only recently begun to happen in big cities in England. Traditionally in England, people who had any money would live out in the suburbs. Now, increasingly, people with money live in the cities, but this has changed only in the last 20 or so years.