I'm the type of spiritual person that doesn't speak openly about their spirituality. Irony is probably my religion.

I grew up with very little religious training. Actually, like, none. I think what Jewishness I felt as a kid stemmed almost entirely from this atrocity in our family tree.

I found once you start writing about God it's really fun. It's like a rock singer saying "baby." "Baby, baby, baaayy-by." You start saying "God" on the page and you don't want to stop.

As a book person and a movie person, I feel Jewish. My Dad was more Buddhist than anything, and on the West Coast I've often had the impression that Jews become Buddhists. I think, if anything, my religion has more to do with California consciousness, vibrations and energy. My wife isn't Jewish. There's nothing ceremonial going on at our house, I mean, occasionally a candle gets lit. But, definitely, my Judaism is an ongoing relationship, one that remains to be consummated.

My grandfather was a Holocaust survivor and his life and history were very formative to myself and my family. The almost unimaginable dichotomy between the different eras of his life always crushed my brain on some level. That this guy who was shoveling carob chips out of a barrel and restocking yogurt popsicles could also have those numbers on his arm. It was an inconceivable juxtaposition. His experience was the main window for our family into any kind of social consciousness, or sense of history, or politics, even though a lot of it went unsaid.

The debate analysis in the media is rampant with contest analogies of war, baseball, boxing, football; you name it. Any testosterone contest imaginable is fair game.

I've often said, not totally jokingly, that screenwriting doesn't really qualify as real writing at all. You don't string sentences into paragraphs. You don't maintain a constant breath, or create internal rhythms, or even develop a fully-formed thought. The camera does all that work for you!