You only get to keep what you refuse to let go of.

There are two kinds of sculptures. There's the kind that subtracts: Michelangelo starts with a block of marble and chips away. And then there is the kind that adds, building with clay, piling it on. The way I write novels is to keep piling on and piling on and piling on.

ART Art is that thing having to do only with itself—the product of a successful attempt to make a work of art. Unfortunately, there are no expamples of art, nor good reasons to think that it will ever exist. (Everything that has been made has been made with a purpose, teverything with an end exists outside of that thing, i.e., "I want to sell this", or "I want this to make me famous and loved", or "I want this to make me whole", or worse, "I want this to make others whole.") And yet we continue to write, paint, sculpt and compose. Is this foolish of us?

He couldn't bear to live, but he couldn't bear to die. He couldn't bear the thought of he making love to someone else, but neither could he bear the absence of the thought. And as for the note, he couldn't bear to keep it, but he couldn't bear to destroy it either.

September 11 had such a strong visual component, the most visually documented event in human history. Nothing's ever been seen by as many people as that was. Our experiences of the day, our memories of the day are just so tied up in images of buildings falling and bodies falling.

We shared the smile of recognizing ourselves in each other, how many imposters do I have? Do we all make the same mistakes, or has one of us gotten it right, or even just a bit less wrong, am I the imposter?

Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-children's will be. But we learn to live with that love.