There are two kinds of sculptures. There's the kind that subtracts: Michelangelo starts with a block of marble and chips away. And then there is the kind that adds, building with clay, piling it on. The way I write novels is to keep piling on and piling on and piling on.

Sometimes you have to put your fears in order.

Food is not just what we put in our mouths to fill up; it is culture and identity. Reason plays some role in our decisions about food, but it's rarely driving the car.

When we eat factory-farmed meat we live, literally, on tortured flesh. Increasingly, that tortured flesh is becoming our own.

We believed in our grandmother’s cooking more fervently than we believed in God.

You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.

In the past seven years of love-making he had heard the words "I love you" so many times: from the mouths of widows and children, from prostitutes, family friends, travelers, and adulterous wives. Women said "I love you" without his ever speaking. "The more you love someone," he came to think, "the harder it is to tell them." It surprised him that strangers didn't stop each other on the street to say "I love you".