One of the things that I love about writing novels is that it really doesn't matter what next step you take as long as you're pursuing some intuition or instinct. Of course, then, intuitions or instincts don't make for great novels, but they often make for good first drafts.

The French, who love their dogs, sometimes eat their horses. The Spanish, who love their horses, sometimes eat their cows. The Indians, who love their cows, sometimes eat their dogs.

I can't count the times that upon telling someone I am vegetarian, he or she responded by pointing out an inconsistency in my lifestyle or trying to find a flaw in an argument I never made. (I have often felt that my vegetarianism matters more to such people than it does to me.)

Life was a small negative space cut out of the eternal solidity, and for the first time, it felt precious - not like all of the words that had come to mean nothing, but like the last breath of a drowning victim.

I can only hold on to the things I want to lose.

And so it was when anyone tried to speak: their minds would become tangled in remembrance. Words became floods of thought with no beginning or end, and would drown the speaker before he could reach the life raft of the point he was trying to make. It was impossible to remember what one meant, what, after all of the words, was intended.

Words never mean what we want them to mean.