The important thing about any book is that you have to have a good story and that it has to be exciting. Then it's nice to add other levels underneath that people can pick up on.

I had a chance at him now. Things were a bit more even. He knew my name, I knew his. He had six years' experience, I had five thousand and ten. That was the kind of odds that you could do something with.

It's the same with spirit guises; show me a sweet little choirboy or a smiling mother and I'll show you the hideous fanged strigoi it really is. (Not always. Just sometimes. *Your* mother is absolutely fine, for instance. Probably.)

Not bad in short, though the last one [understanding the language of animals], isn't half as useful as you might expect, since when all's said and done the language of the beasts tends to revolve around: a) the endless hunt for food, b) finding a warm bush to sleep in the evening, and c) the sporadic satisfication of certain glands. (Many would argue that the language of human kind boils down to this too)

There was a loud cough from the man on the stand. I replaced My Magic Mirror carefully on his tray, gave him a cheesy smile, and went my way.

Fiftey years isn't too bad. With luck you might see it happen when your a sweet,old granny,dandling big fat babies on your knee. Actully"-he held up a hand,interrupting Kitty's cry of protest-"no,that's wrong. My projection is incorrect." "Good." "You'll never be a sweet old granny. Let's say,'sad,lonely old biddy' instead.

What is a gathering without unseemly drunkenness?