Believe me, I know all about bottle acoustics. I spent much of the sixth century in an old sesame oil jar, corked with wax, bobbing about in the Red Sea. No one heard my hollers. In the end an old fisherman set me free, by which time I was desperate enough to grant him several wishes. I erupted out in the form of a smoking giant, did a few lightning bolts, and bent to ask him his desire. Poor old boy had dropped dead of a heart attack. There should be a moral there, but for the life of me I can't see one.

And then, as if written by the hand of a bad novelist, an incredible thing happened.

"I warn you," the boy went on. "I am a magician of great power. I control many terrifying entities. This being you see before you" - here I rolled my shoulders back and puffed my chest up menacingly - "is but the meanest and least impressive of my slaves." Here I slumped my shoulders and stuck my stomach out.

According to some, heroic deaths are admirable things. I've never been convinced by this argument, mainly because, no matter how cool, stylish, composed, unflappable, manly, or defiant you are, at the end of the day you're also dead. Which is a little too permanent for my liking.

That's a gesture of endearment in some cultures. Some hug, some kiss, some set each other on fire in small patches of woodland

Did Lovelace's forces find you? Did Jabor break in?" He spoke slowly through clenched teeth. "I went to get a newspaper" This is getting better and better! I shook my head regretfully. "You should leave such a dangerous assignment to people better qualified: next time ask an old granny, or a toddler-

As an author, you need to keep talking to your audience to remind yourself what they like and what they don't like. You spend most of your life locked in a room, and you need to be social occasionally.