What we need to do is we need to say, how can - how can we operate independently in terms of putting together these various technologies in order to be able to make the world a better place?

All sorts of problems and the interconnectedness between them that [Buckminster Fuller] was able to perceive sometimes rightly, often wrongly, always interestingly and also the fact that he was looking at solutions often that were not feasible in his own time but potentially could be applied today.

You have those who have been living and breathing Buckminster Fuller ever since he converted them to his cult and to be honest, I'm really not interested in that audience at all. I think that they're going to die out soon enough.

I do not think that technology is our salvation.

I think it was impossible not to come upon a lot of confabulation simply because any good scholarship that has been done since [Buckminster Fuller] death has really delved in that.

I was interested first of all in trying to capture this myth that was always changing and to create some sort of a master story, some version of the myth that resonated with me, since I could have taken more or less any detail that I wanted or the opposite and try to put that down on the page in a way that I could express from that outset for myself and for our readers what it was that was so magical about [Buckminster] Fuller's way of putting together the world.

I invented a camera that has an exposure time of one hundred years and the camera works in the simplest possible terms, because anything more complicated is more likely to break down in one way or another. It's a pinhole camera that lets in very low light and instead of exposing film, which is going to spoil within a matter of days or weeks, I'm using ordinary black paper.