My work is very eclectic. I write books that range from writing fiction, writing fable where I am very directly trying to imagine alternate worlds, to writing about [Buckminster] Fuller who was the ultimate world man creating all sorts of alternate worlds and believing that they were imminent to my own work of - for instance, a project that I've been working on for some year and a half, two years now that continues to evolve has been what I call Deep Time Photography.

I select my technology based on what I need and I also don't take up what I don't feel that I need.

I'm not especially interested in the job of the historian or journalist of trying to figure out what was true and what was not.

Since I live part of the year in Italy, I live in a society in which I'm the optimistic American relative to the people who I'm around there. And that has actually brought to my attention the fact that I do have some sort of optimism and has made me think about it enough that I can attempt an answer.

Just getting totally absorbed in that and therefore when I came back around to [Buckminster Fuller] and found that much of it was made up, I realized that nevertheless, it really was crucial, crucial for how he understood himself, I believe, and certainly crucial for how anyone else ever engaged in his ideas and therefore as a starting point, how can we engage in his ideas today, but with a remove of knowing that it is a myth and being able to navigate it in that sort of level, at that level of reading him as a story.

You have those who have been living and breathing Buckminster Fuller ever since he converted them to his cult and to be honest, I'm really not interested in that audience at all. I think that they're going to die out soon enough.

[Buckminster] Fuller was an independent operator coming up with these madcap ways of combining things with absolutely no strings attached and the fact that world changing now is happening within the corporation by and large, and that disruption is ironically what corporations do.