I always thought the women of song don't get along, and I don't know why that is.

Ask anyone in America where the craziest people live and they'll tell you California. Ask anyone in California where the craziest people live and they'll say Los Angeles. Ask anyone in Los Angeles where the craziest people live and they'll tell you Hollywood. Ask anyone in Hollywood where the craziest people live and they'll say Laurel Canyon. And ask anyone in Laurel Canyon where the craziest people live and they'll say Lookout Mountain. So I bought a house on Lookout Mountain.

My style of songwriting is influenced by cinema. I'm a frustrated filmmaker. A fan once said to me, 'Girl, you make me see pictures in my head!' and I took that as a great compliment. That's exactly my intention.

Woke up, it was a Chelsea morning, and the first thing that I knew there was milk and toast and honey and a bowl of oranges, too.

Just before our love got lost you said "I am as constant as a northern star" And I said, constantly in the darkness, Where's that at? If you want me I'll be in the bar.

That's one thing that's always, like, been a difference between, like, the performing arts, and being a painter, you know. A painter does a painting, and he paints it, and that's it, you know. He has the joy of creating it, it hangs on a wall, and somebody buys it, and maybe somebody buys it again, or maybe nobody buys it and it sits up in a loft somewhere until he dies. But he never, you know, nobody ever, nobody ever said to Van Gogh, 'Paint a Starry Night again, man!' You know? He painted it and that was it.

Unlike some of my peers, I haven't really hit a writer's block. When I hit a block I just paint, which is an old crop rotation trick.