Anything that has more of Graham's guitar playing, I'm bound to like.

I remember when I was in my late teens just getting rid of lots of records, realizing I only ever listened to them when I was reading, or watching TV, or doing something else.

I think I'll always feel a little in awe whenever I see someone in their 20s or 30s carrying a cello or violin case - because I know, if they're doing it professionally, how many years of practice have gone into being able to make music with them. And the sounds they can make just hit me very hard, and feel full of limitless complexity.

Obviously there will be a backlash. If you believe the hype you have to believe a backlash too. Any criticism we get, is always stuff we've already criticized ourselves.

Jamaican reggae is the style of music I always reach for when ranting to friends about how you could listen to one style of music exclusively for the rest of your life - and it would all be great and varied and worth hearing.

When people say you're doing something radical in rock or dance music, I'm not sure how special that is. What we do is so old-fashioned. It's like trying to do something innovative in tap-dancing.

I was just very conscious that I could either bore people by having the music be similar for too long, or I could just wear them out and bore them in a different way by having it changing too much every minute or two minutes. So, there was that kind of balance to get right.