As a bandleader, I try to pass on the same family values that I grew up with: help people, hang on to your sense of humour, be tolerant and keep your judgments to yourself.

Without the piano my life would be a disaster - nobody would hold me in any regard. It's the thing that saved me.

I learned from Van Morrison and BB King that the first take is the best. It's about capturing a moment. It's the same as love's first kiss. If you try to do it again, it doesn't work so well.

It would be great to have Bach in one corner, Bessie Smith in another, John Lennon in another. That's what I'd ideally like. A studio of the dead.

My love is new music, I tend to go and see a lot of bands, while [co-producer] Mark Cooper spends his time reading the press. It's often the new acts that strike a chord, because they aren't seen on other shows.

A good example of the modern world is the Eurotunnel. And mobile phones - I like them.

I love Yamaha Clavinovas. I have them at home, in the studio and on tour with me. I find them ideal for all sorts of things: silent practice with headphones at home; writing; arranging and... just playing the blues!