I think the narcissism comes from the industry side of things. The artistic side of a person is never narcissist; it's always empathic, it's always kind and compassionate. It can be difficult to hold onto artistic principles when the business is so glaringly about the product. It's sad.

Generally the things you get offered are never things you want to do. It's a continual fight for the good parts. As you climb the ladder and get to different benchmarks, enter new stratospheres, you're just competing against all the other people in that stratosphere.

I actually love woodworking. I'm just getting into it. And I love playing guitar, I'm a big movie aficionado, and I like hiking.

As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch. They're going on the journey with you, as the actor and the character.

I love Tom Wilkinson and Tommy Lee Jones as well as Jessica Chastain. But the person I look up to most, not because I identify with her roles but because of who she is as a person, is Sissy Spacek.

Playing what Hollywood determines is a hero, it immediately sets actors up to feel like they just can't explore the dark parts of themselves - the character has to be likeable, has to be fuckable, has to be redemptive on all fronts. When you're playing a character that's just inherently destructive or messed up, you're given this beautiful permission to try things. There's a license to fail.

I think the narcissism comes from the industry side of things. The artistic side of a person is never narcissist; it's always empathic, it's always kind and compassionate. It can be difficult to hold onto artistic principles when the business is so glaringly about the product. It's sad.