I can fathom anything, man. I love biting off more than I can chew and figuring it out.

How we act with each other really reveals our most animal instincts.

Racism is within each and every one of us.

I love dipping into worlds at a fast and furious pace. A little glimpse allows the audience to put together the rest of that world in their brain. I love sketches that require the audience to piece together the comedic engine themselves. Give them all the information but not tell them what the scene is about so they can have that eureka moment of, "Oh my God, he's only used to the way urban students pronounce their names. That's what's going on here.".

[Barack Obama] will touch you on the shoulder and, you know - in that big brother or father figure kind of way. And you really do feel sort of shepherded by him.

The audience's imagination will do a better, more personalized version of the horror than you can actually paint. So that just, you know, with something like "The Blair Witch Project," which is, you know, whatever, it's 89 minutes of people running through the woods and one minute of, you know, a guy standing in a corner.

I look at racism as one of the social demons. And, in its worst, it's violent and it's a systemic commitment to oppression.