Anyone who's really utilized collaboration has a philosophy like, 'Let's throw it all against the wall and see what sticks.' That's how we do it. At a certain point, we're cutting scripts that we love.

I don't think that humans are, in our nature, we're evil or anything like that. But I do think there's a demon in our DNA, in our tribal subconscious that affects the way we work and we operate as a group.

The conversation about race is inevitable. It's one that people know that we have to have and continue to have.

'Get Out' takes on the task of exploring race in America, something that hasn't really been done within the genre since 'Night of the Living Dead' 47 years ago.

If it's comedy, you taken an absurd comedic notion and you apply it to reality. If it's horror, if it's a thriller, you do the same thing.

Racism is within each and every one of us.

You can track elections by who was playing that president on 'SNL' at that time. There's the theory that the more likable or charismatic impression would help get the president elected.