I love dipping into worlds at a fast and furious pace. A little glimpse allows the audience to put together the rest of that world in their brain. I love sketches that require the audience to piece together the comedic engine themselves. Give them all the information but not tell them what the scene is about so they can have that eureka moment of, "Oh my God, he's only used to the way urban students pronounce their names. That's what's going on here.".

When people get together, we are capable of the most beautiful, amazing things. But we are also capable of genocide.

[ When I met Barack Obama] He says, I do a pretty good me myself - he said something like that. But he's - he is a close talker. He's a touchy guy.

If it's comedy, you taken an absurd comedic notion and you apply it to reality. If it's horror, if it's a thriller, you do the same thing.

A greater truth that I think we are faced with on a day-to-day basis as minorities is: We are the color of skin first and people second.

The audience's imagination will do a better, more personalized version of the horror than you can actually paint. So that just, you know, with something like "The Blair Witch Project," which is, you know, whatever, it's 89 minutes of people running through the woods and one minute of, you know, a guy standing in a corner.

The scariest monster in the world is human beings and what we are capable of, especially when we get together.