A part of being black in America and, you know, I presume being any minority, is constantly being told that we're being too aware of race somehow, we're obsessed with it or we're seeing racism where there just isn't racism.

'Get Out' takes on the task of exploring race in America, something that hasn't really been done within the genre since 'Night of the Living Dead' 47 years ago.

[ When I met Barack Obama] He says, I do a pretty good me myself - he said something like that. But he's - he is a close talker. He's a touchy guy.

I love dipping into worlds at a fast and furious pace. A little glimpse allows the audience to put together the rest of that world in their brain. I love sketches that require the audience to piece together the comedic engine themselves. Give them all the information but not tell them what the scene is about so they can have that eureka moment of, "Oh my God, he's only used to the way urban students pronounce their names. That's what's going on here.".

I don't think that humans are, in our nature, we're evil or anything like that. But I do think there's a demon in our DNA, in our tribal subconscious that affects the way we work and we operate as a group.

We haven't done enough work to encourage minorities to strive to make movies. Hollywood is a place full of white male directors - there are many good ones. We just haven't nurtured our voices.

There might be some sinister modern form of slavery going on.