Israelites, Christians and Muslims profess immortality, but the veneration they render this world proves they believe only in it, since they destine all other worlds, in infinite number, to be its reward or punishment.

Every writer creates his own precursors. His work modifies our conception of the past, as it will modify the future.

Lully's machine, Mill's fear and Lasswitz's chaotic library can be the subject of jokes, but they exaggerate a propensity which is common: making metaphysics and the arts into a kind of play with combinations.

Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him.

Why do you seem so annoyed at what I'm saying?" "Because we're too much like each other. I loathe your face, which is a caricature of mine, I loathe your voice, which is a mockery of mine, I loathe your pathetic syntax, which is my own.

I think of myself as being an ethical man, but I don't try to teach ethics. I have no message. I know little about contemporary life. I don't read a newspaper. I dislike politics and politicians. I belong to no party whatever. My private life is a private life. I try to avoid photography and publicity.

The two important facts I should say, are emotion, and then words arising from emotion. I don't think you can write in an emotionless way. If you attempt it, the result is artificial. I don't like that kind of writing. I think that if a poem is really great, you should think of it as having written itself despite the author. It should flow.