I'm not sure I ever pleased Ian [Buchanan] with my progress, but he continued to tolerate me. I had to work at everything that I did. Well, it wasn't work; it was fun actually.

We were on a tour, and there were some chord formations that were tough for me to play when I was a kid...it had become apparent that there was some stuff I wanted to do that [would require me] to learn how to do that. So I wrote the song and used some of these chord formations so I would have to play them. I thought it would be a great teaching vehicle for a while, and it was, but it ended up as a performance song.

Of course when you are a kid you listen to what your parents had around. A lot of gospel, jazz. Now when I started to listen to music on my own it was around the time of the birth of rock and roll. Shortly thereafter I started to get into more blues and more traditional rootsy American music.

If you make the same mistake 3 times, that becomes ‘your arrangement’

I liken feedback to the effect of when you go surfing; you can get pummeled by a wave, but if you balance the forces right, you can have a dandy ride ... that's pretty much what feedback is.

Just because a guitar is old doesn't make it good... I've seen guitars that were old but weren't as good as the reissue ... for me, it's not the age that makes it happen, it's the quality of the instrument.

I don't care if my lettuce has DDT on it, just as long as it's crisp.