For some people, I got away with something. And you know what? That's a fair thing to say, for them. I'm not saying I agree with that, but I can see how they can say that. But it's a matter of just like...you know, I'm really fortunate. As a journalist, I don't have to agree with you to talk to you. My job is to figure out why you think the way you think. I want to get to the root of why you think the way you think. That's what I find most fascinating as a storyteller.

Independent of politics, the changing narrative on immigration is directly correlated to the fact that we have new technologies that are allowing people to talk to each other and tell their own stories and organize themselves.

The last thing reporters and editors want to be told is what to do and how to write. They don't want to be some politically correct, Orwellian, kind of like "you're telling me how to write about...?"

The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.

You have to stand for something bigger than yourself.

The immigration bill is going to pass. We're going to have a bill. It's going to get through the Senate. I think the fundamentals are there and the foundation is strong and the bill is going to happen. The House is going to be trickier, but I think it's going to happen there too.

To me, it's just that social media is allowing people to be in charge of their own narratives.