To this day writing is the most painful thing to do.

The DREAMers are the safe ones, right? It's okay to advocate for the DREAMers because they're the English-speaking, college-educated ones, right? It's so interesting that I set out to document DREAMers, but what I ended up doing was actually documenting the experience of, the reality and truth of, the moms and the parents.

The last thing reporters and editors want to be told is what to do and how to write. They don't want to be some politically correct, Orwellian, kind of like "you're telling me how to write about...?"

The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.

I've done everything I've done in America with the limitations I have.

No amount of success - whatever that means, quote-unquote success - no amount of success replaces the reality of being separated from my family for this long.

When people call me illegal, calling me illegal says more about you than it does about me.