I go by the "Miles Davis school of production and band-leading", where you pick the best musicians you can, you provide them with a minimum of direction, and you just let the music happen. I've seen it work time and time again.

All my stuff is pretty seamless - like now, while I'm touring [Yesterday I Sang The Blues], today I'm going to go in the studio, I'm writing my next one. For me it's continual.

I don't get writer's block. I don't try to write anything; when something comes, I write it. I just practice and when I get an idea I write it down.

I go by the "Miles Davis school of production and band-leading", where you pick the best musicians you can, you provide them with a minimum of direction, and you just let the music happen. I've seen it work time and time again.

There used to be a club in new york called Bradley's - I've never been there, it closed in the 80's - but I used to study with Junior Mance, and he would tell me about Bradley's. It was a very important place for a generation of jazz musicians in New York. It was really all about pianists there.

If you look at the other singers of Billie Holiday's time, they were really trying to entertain. They were trying to make people feel good. They were singing fast - and she was singing the blues.

When I sort of step in my jazz world, it's somewhere between instrumental jazz and vocal jazz.