Science is based on the possibility of objectivity, on the possibility of different people checking out for themselves the observations made by others. Without that possibility, there is no empirical principle capable of deciding between different arguments and theories.

A film is a living thing. The screenplay is a guideline. You really need to have a good, sound script to know that you have a dramatic structure that's going to work thematically, and to know how one scene will got through another, and to get a sense of character.

You never find yourself involved in a single action story. Your family is always being with you. And you cannot separate whatever is going on in your life with your relationship with your son, with your wife.

The relationship between fascism and robotics, for instance, it's very clear that it's going to become way more important as time goes by.

Science is based on the possibility of objectivity, on the possibility of different people checking out for themselves the observations made by others. Without that possibility, there is no empirical principle capable of deciding between different arguments and theories.

I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool action scene.

As it turns out, what looks like science sometimes is not.