I don't actually like blocking actors. I prefer giving actors freedom. They don't have to step on a precise mark with me. Instead of giving marks to the actors I like to give marks to the camera.

It's all about this abstract entity called the story. It's all about the best way to tell the story, and to make a movie about the issues that this story is about. Filmmaking is storytelling, for me.

I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool action scene.

Pretty soon we'll have robots in our society, you're going to have a lot of automated processes that used to be done by people - this is happening. Society and technology is changing so fast, and the impact of the change on society and technology is global, not local.

If you replace a soldier with a machine, you take away the possibility of the soldier or the policeman to not do something the state asks of him. He may think it's unethical to do it. A machine doesn't have that critical perspective.

People can't stand it when you deal with issues of race and class, and also sometimes the church, and you give a perspective that flushes out hypocrisy.

If you are in Brazil and you grew up in a right-wing dictatorship, you think Marxism is liberating. But if you grew up in Czechoslovakia, and the Soviet Union is controlling everything and killing people, then you think capitalism is liberating. Neither of those two things are true and it doesn't take a lot brains to understand this.